Resumen: Female societies in “Celestina” – Alan Deyermond
La evolución de la prostitución en la Castilla del siglo XV y la mancebía de Salamanca en tiempos de Fernando de Rojas – María Eugenia Lacarra
Analysis of early critical reactions to María Rosa Lida de Malkiel's “La originalidad artística de 'La Celestina'” – Yakov Malkiel
“Celestina”, Aucto I: a platonic echo and its resonances – Nicholas G. Round
“Conséjate con Séneca”: Auctoritas in “Celestina” and “Celestina comentada” – Louise Fothergill-Payne
The four humors in “Celestina” – Charles F. Fraker
“O cruel juez, y que mal pago me has dado” or Calisto's urban network – Jerry R. Rank
Celestina as a comic figure – Dorothy S. Severin
People, characters, and roles: a view of characterization in “Celestina” – Joseph V. Ricapito
Mute commentaries on a text: the illustrations of the “Comedia de Calisto y Melibea” – Erna Berndt Kelley
The sacred in the profane: Jewish scriptures and the first comedy in Hebrew – Dwayne E. Carpenter
Kaspar von Barth's neo-latin translation of “Celestina” (1624) – Theodore S. Beardsley, Jr.
Eighteenth-century Celestina reincarnations – Kathleen V. Kish
Five centuries of “Celestina” readings: an overview and an example from the nineteenth century – Joseph Thomas Snow
Celestina's seductive power in France: an operatic debut – Adrienne Schizzano Mandel
“Celestina” en escena: el personaje de la vieja alcahueta y hechicera en el teatro renacentista – Miguel Ángel Pérez Priego
“Celestina”, teatro – Emilio de Miguel Martínez
Law of the father, law of the mother in “Celestina” – James F. Burke
Rhetoric at work: Celestina, Melibea, and the persuasive arts – Edward H. Friedman
Reading and listening in “Celestina” – James R. Stamm
Celestina's laboratory: a translator's dilemma – Enrica J. Ardemagni
“De una ave llamada rocho”: para la historia literaria del ruj – Nicasio Salvador Miguel
